Lilly Palmer is primed to dominate the festival circuit this year with her latest dual offering, showcasing the producer’s ability to craft anthemic, dancefloor-igniting tracks.
Leading the charge is the irresistible “All You Got To Do,” a high-energy number that’s practically begging to be blasted through towering festival sound systems. Centered around a hypnotic, chant-like vocal hook (“Dance with the groove, all you got to do is move”), the track builds in intensity, layering pulsating basslines and euphoric synth work to create a sense of unbridled energy. It’s the kind of track that’s designed to whip festival crowds into a frenzy, with Palmer’s commanding vocals urging the listener to surrender themselves to the music.
Flip the coin, and you have “Surrender The Night,” a darker, more brooding offering that demonstrates Palmer’s versatility. The track’s ominous, atmospheric production provides the perfect counterpoint to the euphoria of “All You Got To Do,” with menacing basslines and glitchy, unsettling synths creating a sense of tension and unease. Yet even here, Palmer’s songwriting prowess shines through, as she manages to wield these more abrasive sonic elements to hypnotic effect.
Together, these two tracks cement Lilly Palmer’s status as a festival-ready force to be reckoned with. Whether it’s the hands-in-the-air anthemia of “All You Got To Do” or the more introspective, late-night vibes of “Surrender The Night,” Palmer demonstrates a masterful command of mood and atmosphere. This is dance music built for the grand scale of the festival stage, where the energy of the crowd and the power of the production collide in a euphoric union.